To promote the “The Bei Shan Tang Legacy: Chinese Painting” exhibition, the Art Museum released 8 recordings of "The Bei Shan Tang Legacy: Chinese Painting" Symposium from June to July.

 

The presentations include “Xiang Shengmo’s (1597–1658) Paintings in the Collection of the Art Museum, The Chinese University of Hong Kong” and “Paintings of Deities for Observing Birthdays in the Ming Dynasty” by Prof. HO Ka Yi (Associate Professor, Department of Fine Arts, CUHK), “From Mysticism to Verisimilitude: The Development of Travel Landscape in Early to Mid-Ming Dynasty” by Dr. JIANG Fangting (Research Associate, Hong Kong Palace Museum), “Reproducing the Spirit, Not the Form: Imitated Works in Bei Shan Tang’s Chinese Painting Collection” by Dr. CHAN Kwun Nam Phil (Associate Curator (Painting and Calligraphy), Art Museum, CUHK), “Depicting Likeness and Picturing Trueness: Orchid Words amidst Bamboo Laughter in the Bei Shan Tang Collection” by Prof. MOK Kar Leung Harold (Emeritus Professor, Department of Fine Arts, CUHK), “Caressing Flowers Steeped My Clothes in Fragrance: ‘Fragrant Shadows at Luofu’ in Female Figure Paintings” by Dr. CHEN Fong Fong (Lecturer, Department of History, HKBU), “Art in Yangzhou through the Painted Boats of Yangzhou” by Dr. CHUI Lisa L S (Senior Tutor, Department of Chinese and History, City University of Hong Kong), and “Natal Belongingness of Guangdong Literati Painters in the Early 19th Century” by Dr. CHEUNG Ngai Yee (Director, Bei Shan Tang Foundation). The 8 recordings attracted 4,116 views.